Iconic imagery, delicious, lust filled words transcending us into another frame of mind. This immediately comes to mind when I try to sum up what The Tyranny of Love is about. The problem is, there is no summing it up. I have been left wanting more.
Unless you’ve met Nik or heard his radio show, HOWL on CIUT.FM, you won’t know what his voice sounds like. He has a very sexy, sensuous, seasoned rock and roll poets tone. It was hard to read The Tyranny of Love without reading each piece with Nik’s voice attached to it, adding to the romance of each piece.
When I was first introduced to Nik’s writing, I fell instantaneously in love. His writing captures the realities of life and love, taking the harshness of it all, crushing it into beautiful, strange colours, creating a paradox on written canvas. There is a powerful ebb and flow, waves cresting with religious, iconic visions of God, steamy after moments of coital pleasure and pop culture.
There is a new wave of poets and writers that have emerged in the city of Toronto. I personally call them The Rock and Roll poets. They are reminiscent of the new wave of poets and writers of the 60’s and 70’s such as Jack Kerouac, Hunter S. Thompson, or Truman Capote. Nik Beat is one of these Rock and Roll poets, adding a new and powerful flavour to the literary scene.
Under normal circumstances, I would single out a few poems that were my favourites. I can’t do that here. It’s impossible. Each piece standing out and speaking to me equally. 64 pages of an unending orgasmic, poetic experience. The Tyranny of Love has left me wanting more, needing more of Nik Beat’s words.
Rock and Roll Poet.
There is a new movement, a new style of Poet emerging in the city of Toronto. A movement I hope goes viral. Poets who are becoming the rockstars or our literary scene in every sense of the word. Brandon Pitts is one of these Poets. On the page and in performance, he fills the stage with a lyrical presence, oozing a sensual vibration of power in his chosen words. His voice an instrument. Pressure to Sing is Brandon Pitts songbook, his album, his concert. His poetry images of his past, present and future.
Pressure to Sing is a structural masterpiece, with 11 chapters. Each chapter’s poems defining a story, an emotion and a message. I won’t choose favourites amongst the poems in this book as they all stand out. However, one particular poem in Pressure to Sing does deserve that little bit of extra attention and accolade. Lot, a poem that affected me emotionally, leaving me in a breathless state, having me swing hard between anger, disgust and empathy for the state of human evolution. A modern expose mixed with religious icons, a society failing at making a better world. The last line of the poem, a powerful statement, ‘We are defining our times’ rings honesty and truth. Brandon has a video poem for Lot that is a must see. (http://brandonpitts.com/Videos.html). Lot is a powerful, moving piece, that should be read and heard by all.
As a poet and writer, Brandon Pitts is defining our times indeed. He raises the bar to a level that we haven’t seen in decades. A bar that should inspire other poets and writers to reach for.
Coil is a thing of magic and passion, filled with spirituality, sensuality and intense, raw emotional words that can only come from experiencing life with eyes wide open. The poems in Coil are a selection of 800 pieces written over the course of several months. Poems that feel as if they were channelled from another world, their vessel being Susan Munro.
I was first introduced to Susan Munro’s poetry at an open mic for The Beautiful and the Damned. Open mic’s are magical and sometimes strange, never knowing what to expect from the performance. After hearing Susan read, I knew this beautiful woman’s words were more than just a delicious treat, it felt as if I was put under a spell, her spell.
Thomas Scott’s quote on the back of Coil, sums it up perfectly. “This is a collection of poems that feels like a finely cut stone, with each poem a slightly different facet of the whole. You will find intensity and magic here, clarity and airiness — just on the other side of understanding.”
Coil is a flawless piece of work, as is each poem within the covers. From the religious flavouring of Marks, to the sensual and sexy piece Love is a Car, Susan Munro’s Coil will leave you with a vibrant visual of words transcending to a higher level of divine. A muse for our times, Susan Munro is a beautiful woman with a beautiful soul.
It has to be said up front, this will be the least objective review I have yet to write for Lipstik Indie as I am already a huge fan of Laura L’Rock in particular and her new album Law of Attraction. That being said, I have never seen her with her full band ticking out and this CD launch, at the famed Now Lounge on 189 Church Street in Toronto, provided the venue and the time to witness the aforementioned Laura L’Rock in action. But, I am not just reviewing her performance, rather the entire night. Again, I have to say all objectivity has to be scattered to the four winds, as I was not just a silent witness to the rock and roll proceeding but, I was also the MC of the eve. Leave out any hopes entirely behind you if you expect less that a biased view here. Now that I have cleared that up on to the review.
Opening proceedings was Sarah Smith, formerly of the beloved rock outfit The Joys. Sarah immediately set the tone that this was a celebration for and of Laura L’Rock and combined a set of songs (mostly original) with a knowing sexuality that lit up the room. Believe me, Laura L’Rock wrote a song about this girl, (they have been pals for a year or so now) on the Law of Attraction CD called Ball of Fire and with just a drummer (Robin) and her steely smiling gaze, Sarah did what an opening act does: open the door to a high energy party NIGHT!! And she did.
After that and just on schedule at ten thirty, came Laura L’Rock’s band mates Owen Tennyson, on drums, Rob Laidlaw (of Platinum Blonde no less) on bass and lead guitarist, Steve Saunders. Laura, with her long blonde locks and dark roots just enough to keep you rooted to your seat, looked hot, hot, hot, in tight sprayed on jeans, flashy sable coloured jacket and a sexy velveteen bodice that did not hide any of the smouldering sexuality and charisma that she possesses on or off stage. She looked out at the multitude at first, looking almost surprised at the packed to the rafters and enthused welcome — wisely chose to start the rock off with Light my Fuse, from her Law of Attraction album and promptly did. A bit slower than usual tempo than I am used too, but the crowd didn’t know and didn’t care and ate it up. In fact, from the moment Laura L’Rock hit the stage she had the audience in the palm of her hungry for rock little hands. If it is possible for a performer to get bigger star- wise, as the set drove on into the night, Laura showered the rock room — she became a bigger star tonight. Zipping through many of her best tracks on Law of Attraction, she didn’t stop the rock for the entire 35 minute set as she celebrated not only her night and CD release, but all the people she admired and wrote about in her songs too.
The Now Lounge is not a big room for a rock act, but it got bigger as if all the people that packed it were expanding and pushing back the walls themselves for elbow room. Truly a great night.
The closing act High Heels LoFi ended the night by not closing: they thanked Laura profusely and did not let down the torch that had been passed form Laura and played their party songs like Big Dumb Rock Song with an exuberance that matched if not equaled Laura. They were as caught up by the celebration for Laura as any one and planted their flag on Planet Laura L’Rock for the duration as well a s could be asked.
Much gratis for a band on rock night.
LIFE WITH MORE COWBELL
June’s The Beautiful & The Damned
Art on the Danforth – Brandon Pitts